May I recommend this TED lecture to you (please don't be alarmed by the Arthur C. Clarke quote).
In India Sugata Mitra conducted a fascinating experiment in self instruction among children. He installed PCs in remote areas and observed as children worked out how to use them.
One school drop-out had never seen a PC before (he thought it was a TV) but worked out how to use it in only eight minutes without any intervention. The same day he went on to teach a group of other children. "The machine only used english, so we had to learn english", said one child.
He says that children can learn as much from watching as they can from doing, and often the younger children will teach the older children.
Sugata Mitra tells the story of his "hole in the wall project" which challenges some of the key assumptions of formal education
I've been reviewing some of the projects I have been involved with recently and thinking about how they could have been improved.
The conclusion I have come to is that most creative projects are to some degree chaotic and uncertain; You can't always predict how they are going to run. You have to be flexible and responsive to new ideas and directions as they come up.
That said, there is possibly value in at least attempting to structure the management of creative projects around tried and tested ideas. A creative project, like any other, has process steps and milestones. One reason why creative projects often fail is because not enough time is spent understanding the purpose of the project and refining the ideas around that purpose. Sadly is is all to easy to forge ahead with half baked ideas with no idea of why we're doing it!
Step 1: The brief
Be sure about the purpose of the project and why it has come about. You might call this the creative challenge.
Get down on paper a description of what you hope to achieve, who it is for and why it is important. For example – Encourage year four children to take pride in their town by revealing its glorious history. We're doing this because ……
Set out what you want to achieve, how you are going to approach it, who it is for and why it is important.
Step 2: Ideas
Once we have a brief we can set about coming up with ideas (in the above case for revealing the town's glorious history). Not enough time is ever spent coming up with ideas or evaluating them. I would say that this is one of the biggest reason for the failure of creative projects. The temptation is to settle on the first and most obvious idea you come up with. Often the crazy ideas are sidelined at the outset, and yet these are often the most interesting.
Make plenty time for coming up with as many ideas as possible, even the crazy ones, and evaluate them according to the brief.
There are many techniques for coming up with ideas – here are some. Thinking Hats for evaluating ideas, Mind Mapping with which I'm sure you are familiar, and a favorite of mine, The Creative Whack Pack
Step 3: Planning
Do you decide on the team and resources before you have an idea or after? I would say that it's sometimes better to come up with the idea first with a small core team and then pitch for people and resources once you have the idea. That way you'll get what you need rather than having to put up with what you have got.
Careful planning of the resources and the timetable, setting of realistic deadlines and getting agreements.
Step 4: Action
Well planned activity with a great idea behind it should be exciting. Any problems will be quickly resolved because of a solid commitment to the purpose of the project.
Step 5: Celebration
The positive outcome should be shared and celebrated beyond the immediate team. The more external praise and feedback the better. A public film screening, a party for those who contributed, a commemorative web page. The legacy of successful projects should be preserved so that the benefits can be made available to the greatest number of people for the longest amount of time.
Step 6: Review
A constructive examination of the project should always be part of its legacy. Did it meet the brief? What were the points of learning and so on.
This may all seem obvious – in which case I apologies – but I need to remind myself just how important these project steps really are and that to skimp on any of them will weaken the outcome.
The grizzly times of the Tudors and Henry's willy nilly habit of chopping off heads has a natural appeal for year four children.
At this school we wanted to combine music, writing, film, animation and the wonderful technique known as green-screen – or perhaps blue-screen; Chroma Separation Overlay, CSO if you want to show off.
This film takes some of the more unsavory facts about life on the Mary Rose as a starting point. We also wanted to involve the children in a variety of interesting ways – particularly to include some of the less confident and disruptive children. For example, some of the drawings we included may be very simple and not hugely demanding to create but we found a place for them in the finished piece.
There is a natural tendency for the professional film maker to be concerned about maintaining a high standard but this must not be at the expense of including less confident children. This should not just be a showcase for the most talented children but a way of unlocking talent and confidence in the least confident ones. Otherwise why are we doing this?
A mind mapping session to unlock all the facts the children had learned about life on the Mary Rose
Using Garage Band create a rap backing track
Listen to the backing track and practice writing and performing words to the rhythm of the track.
The children in their own time (and with the rhythm in their heads) all write their own rap songs
We select the best ideas from each of the songs to create a single rap to be used in the film
Tasks are introduced and allocated to the team – animating the ship, drawing pictures, operating the camera and lights, recording the sound, performing, setting up the green screen, finding images, directing etc.
Animating session. We filmed the ship against a coloured screen and created the sea out of rolled up coloured paper which we animated manually. Pictures were drawn, biscuits were filmed, flames and rats were scanned. The scurvy ridden faces were drawn.
The green-screen session. The screen was set up facing a large area of windows so we had a lot of soft natural light. This was a hugely popular activity. The children decided to call this set-up the magic wallpaper.
The backing track was played from a CD player. Jobs included director, camera operator, sound and performers.
Editing. The editing for this was too complex for the the schools own software so most of it was carried out off-site. However I think there is scope in future for sections of these films to be edited by the children.
I liked the wide range of tasks and skills that this project involved, it was very inclusive. It didn't just use traditional animation techniques but required a range of solutions. There was a high degree of problem solving particularly making the ship and water move – the children were fully engaged in finding their own way of doing this.
Some of the less confident children appeared in front of the camera and some of the more modest drawing attempts were used in the film – this was obviously appreciated by the children concerned.
We had some positive discussion about making mistakes – if something didn't work we called it learning and improving. A mistake in the filming could be an entertaining out-take.
The green-screen was such a success that I am helping the school set up its own permanent green-screen (magic wallpaper).
There's a lot of frustration over the compatibility of small popular video cameras and some basic editing software packages, as far as I can see. For example the popular Flip cameras produce excellent results but MP4 is not a great editing format and may not even be viewable on some laptops running Microsoft Movie Maker.
I've been having a look at VideoPad which includes a free video editing software version for Windows. I have not tried it in earnest yet but it looks quite neat and can handle a number of file types – probably more flexible than Moviemaker in this respect. It might be a good companion for the Flip cameras, but let's see.
A big weakness with many free video editing packages is the limited number of audio tracks. Generally you can cut the audio with the pictures and add a commentary layer but that's about it. The number of audio tracks is a difference between amateur and professional editing packages. Great audio can have a huge impact for your video.
A lot of fun can be had preparing an exciting audio track so think about using another free programme Audacity to create muti-track audio for your video. You can usually open the video file directly in Audacity, edit the audio and then re-import the finished audio back into the video editing software.
VLC Media Player
Finally, if you have difficulty viewing some video files you might have a look at the free VLC Media Player. It plays many file types and can do some media conversion as well.